The world is scary enough as it is right now, but there’s still something exorcising about getting the scared out of you every once in a while. There is No studio, distributor, or production company has had a greater impact on the horror genre in the last decade than A24. That’s why we’ve taken the list of the 10 best A24 Horror movies.
A24 is a New York-based entertainment company, it has swiftly made a name for itself as a genuine source for quality cinema, especially horror. The independent entertainment company has only been around since 2012, but it’s already put together an undeniably impressive roster of jaw-dropping horror pictures. Working with the likes of Ari Aster and Gaspar Noe, among others, the studio is responsible for such horror gems. They have been behind some of the most exciting horror films over the past few years such as, “The Witch,” “It Comes At Night,” “Green Room,” and now, “Hereditary.” we here at Next Best Picture figured we would take a look at the horror films.
The 10 Best A24 Horror Movies
Director: Gaspar Noé
Cast: Sofia Boutella
The climax movie is based on a real story, Gaspar Noé’s Climax is set during a party that quickly spirals out of control. The all-night celebration begins following the successful opening night performance by a group of young dancers. Reverting back to high school days, someone decides to spike the punch with LSD, leaving everyone in attendance to grapple with the excitement that turns to chaos and all-out anarchy.
But the scariest part of Climax is that the event begins so innocuously. The dance troupe is celebrating being done with rehearsals and just wants to have some fun at a party. They’re standing around, gossiping and bonding over drinks and dancing. But once the sangria is spiked, everyone changes and plenty of horrifying things occur, including someone’s hair being set on fire, a woman mutilating herself with a knife, people mercilessly beating each other up, suicide, and someone freezing to death.
This is one of the real story, “every day, you read in the papers’ stories that would make great movies. But then if you want to stick to the real story, you have to use the real names and then be respectful of everything and that becomes the tricky territory.
9. The Blackcoat’s Daughter
Director: Oz Perkins
Cast: Emma Roberts, Kiernan Shipka
The Blackcoat’s Daughter is essentially much the worst-case scenario for anyone who has ever attended a private school or similar organization. In the film, two girls are isolated to themselves after their parents mysteriously fail to pick them up from school for winter break. Two separate stories wind up consolidating eventually, as a disturbed young lady advances toward the private academy where the other two young ladies — who end up being encountering peculiar events — are remaining.
In spite of some compelling performances and a consistent mood, the film fails to ground any of these aesthetic flourishes in story or emotion. Perkins may have the sense to draw on a glacial winter environment as a mood setter but he fails to move beyond the surface. While set at a Catholic boarding school for girls, the full potential of that alien environment remains a convenient tool for isolation rather than a part of the film’s thematic structure. Nearly every scene is built around a slow zoom or an awkward pause, and establishing shots focus on eerily framed empty classrooms, but that approach does little to disguise the film’s lack of substance.
The Blackcoat’s Daughter Story
Regardless of some convincing exhibitions and a reliable mindset, the film neglects to ground any of these stylish twists in story or feeling. Perkins may have the sense to draw on an icy winter climate as a temperament setter however he neglects to move past the surface. While set at a Catholic all-inclusive school for young ladies, the maximum capacity of that outsider climate stays an advantageous device for separation as opposed to a piece of the film’s topical structure. Virtually every scene is worked around a moderate zoom or an uncomfortable silence, and setting up shots center around shockingly outlined void study halls, yet that approach does little to mask the film’s absence of substance.
The film is apparently around two little youngsters (Mad Men’s Kiernan Shipka and Sing Street’s Lucy Boynton) who get abandoned at their private academy, Bramford, over winter break when their folks don’t show to get them. Simultaneously, an upset young lady (Emma Roberts) is attempting to get to Bramford as quickly as possible. As she gets closer, one of the girls starts experiencing vision and falls into the grasp of an evil force. I only know this because I read the synopsis. You definitely won’t get that from the trailer.
What you will get is an intense feeling of environment and fear, and I’ll take that any day over a trailer that ruins the entirety of a film’s insider facts. The Blackcoat’s Daughter was the component introduction of chief Osgood Perkins, who since helmed the Netflix Original I Am the Pretty Thing That Lives in the House. That film sort of sneaked by the radar a year ago, yet it was a profoundly alarming and limited apparition story that felt scratched from the bedraggled dividers of my own bad dreams.
8. The Killing of a Sacred Deer
Director: Yorgos Lanthimos
Cast: Colin Farrell, Nicole Kidman, Barry Keoghan, Alicia Silverstone
The Killing of a Sacred Deer is one of the best horror movies of 2017. Forget Colin Farrell and Nicole Kidman, Barry Keoghan will have you stuck to the screen while watching The Killing of a Sacred Deer. The film generally bases around an orphan teenager (played by Keoghan) and his relationship with a regarded cardiovascular specialist (played by Farrell) who turns somewhat of a dad figure to the boy. The more elaborate the teenager is with the surgeon’s apparently truly perfect family, the more unsettling his behavior becomes until he eventually confronts the patriarch with respect to long-forgotten bad behavior.
7. The Monster
Director: Bryan Bertino
Cast: Zoe Kazan, Scott Speedman, Ella Ballentine
Bryan Bertino’s The Monster makes a case for never taking backcountry roads, especially late at night. The film picks up as a divorced mother and her daughter are on their way to see the girl’s father when a car accident quickly derails their plans. After realizing they can no longer travel by vehicle, the mother and her daughter also learn they are not alone as evil is lurking off in the distance.
Director: Ari Aster
Cast: Florence Pugh, Jack Reynor, William Jackson Harper, Vilhelm Blomgren, Archie Madekwe, Ellora Torchia, Will Poulter
Anyone expecting Ari Aster to falter with his Hereditary follow-up could not be more off base. Midsommar is a best 2019 horror movie, which is another home run from the American filmmaker, who managed to deliver a decisively disturbing horror film set during the day. Led by Florence Pugh, the picture follows a group of friends who are immersed in the cult activities of a remote Swedish village. Midsommar is one of the best A24 Horror movies in 2019.
5. The Hole in the Ground
Director: Lee Cronin
Cast: Seána Kerslake, James Quinn Markey, Simone Kirby, Steve Wall
If you’ve ever felt like you were living with a blood relative that is a total stranger, The Hole in the Ground may seem all too real. After disappearing near a gigantic sinkhole in the Irish countryside, Chris resurfaces, but he’s not the same as before the incident. His mother becomes fearful as he exhibits increasingly disturbing behavior of the likes she’s never known, leading her to believe the boy who returned is not her son after all.
4. It Comes at Night
Director: Trey Edward Shults
Cast: Joel Edgerton, Riley Keough, Christopher Abbott, Carmen Ejogo
In case a cast led by Joel Edgerton hasn’t convinced you, It Comes at Night tells the story of a man who will stop at nothing to protect his family from a mysterious, unnatural threat that is terrorizing the outside world. This delicate infrastructure begins to crumble, however, when a young family stumbles onto the property in search of refuge.
Director: Ari Aster
Cast: Toni Collette, Gabriel Byrne, Alex Wolff, Milly Shapiro
Ari Aster grabs your attention right from the start in his feature debut. Hereditary is one of the A24 horror movies in 2018. There is no easing into this one. What begins as a family tragedy turns into so much more as the Grahams find themselves struggling to avoid their sinister inheritance.
2. The Witch
Director: Robert Eggers
Cast: Anya Taylor-Joy, Ralph Ineson, Kate Dickie
Anya Taylor-Joy is truly captivating as a teenage girl accused of witchcraft in 1630 New England in The Witch. Banished by the church to a remote area on the edge of an ominous forest, her family falls victim to a series of strange and unsettling occurrences, ranging from failing crops and malevolent animals to a disappearing child and another who becomes possessed.
1. Green Room
Director: Jeremy Saulnier
Cast: Patrick Stewart, Anton Yelchin, Imogen Poots
From leading the X-Men to running an underground nightclub as a cover for an illegal operation, Patrick Stewart shows us a side of himself that we’re not all that familiar with in the Green Room. The movie centers around a struggling punk band who is held hostage after playing a last-second gig at a backwoods location.
These all are top 10 A24 Horror movies