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Blu-ray Review: THE BROOD
By
Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Source: Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Oct 23, 2015, 2:0 AM

It's finally here.  David Cronenberg's 1979 film The Brood is one of the best films in this director's filmography, easily his first mature and polished work following Shivers (1975) and Rabid (1977).  The Brood is one of Mr. Cronenberg's most accomplished works, a film that he has reportedly described as his version of Kramer vs. Kramer (1979) following an acrimonious (to say the least) divorce.  In the United States, The Brood has never really been represented well on home video, certainly not given the respect it deserves while other far lesser films have been lavished with extensive special editions in multiple DVD and Blu-ray outings.  The incomparable Oliver Reed stars as Hal Raglan, a psychiatrist and Head of the Somafree Institute of Psychoplasmics, which is a new method of treating patients by getting them to sublimate their repressed emotions through physiological alterations to their bodies (one character has growths all over his body which is the rage he suppressed against his father).  One of his patients, Nola Carveth (Samantha Eggar), is in the midst of a custody battle with her husband Frank Carveth (Art Hindle) over their daughter Candy (Cindy Hinds) who only recently showed signs of domestic abuse.  Frank believes that Nola beat Candy during her weekend visits with mom at the institute which Frank is not privy to.  Unbeknownst to Frank, Raglan has Nola in deep therapy, and her bouts of rage concerning the abuse she suffered at the hands of her own mother cause her to give birth to asexual children who attack the people she wills them to kill.  In a shocking scene, Nola wills her brood (hence the title) to attack Candy's kindergarten teacher after finding out that she babysat Candy and assuming she had an affair with Frank.  We come to learn that Nola was abused by her mother Juliana, which explains why the brood attacks her - tragically, Candy is a witness to this.  Ms. Hinds, who also appeared in Mr. Cronenberg's The Dead Zone (1983), portrays Candy as an almost emotionless girl who is trying to understand and take in everything that she sees, both the good and the bad.  All of the anger and resentment that Nola feels culminates in a rather violent ending which pits Raglan against the brood as he struggles to save Candy.  The ending has been deemed depressing, but it successfully sends the message that children are affected by divorce in more ways than one. 

The film does an expert job of presenting a believable cast of characters who are at odds with one another.  The subject matter is not pleasant, but then again neither are divorces.  One can only imagine the acrimony the director experienced with his own wife as he sublimated his own anger of trying to gain custody of his daughter into this film.  This was also the first time that Mr. Cronenberg got truly A-list actors.  Seeing Oliver Reed and Samantha Eggar made me wish that they shared more screen time together as they are both excellent in their respective roles.  They had previously shared the screen together in The Lady in the Car with Glasses and a Gun (1970).  Here, their dynamic is infinitely more intense.  Art Hindle is convincing as a torn father/husband trying to protect his daughter.  Genre fans will remember his as Lynne Griffin's boyfriend in Bob Clark's Black Christmas (1974), Dr. Howell in Invasion of the Body Snatchers (1979), and as Dirk Winfield in Into the Fire (1988).   Robert Silverman does a nice turn as Jan Hartog.  He went on to play the janitor in Prom Night (1980) and also worked for Mr. Cronenberg on four other films.  Gary Sheehan, who is very effective as Mike, also appeared in Rabid (1976). 

The Brood has gotten the Criterion Collection treatment, which means a new and beautiful high definition transfer.  The extras are:

Birth Pains (31:05) - a thoroughly enjoyable look at what went on during the making of The Brood as it went into production during the late fall of 1978.  Interviewed are Samantha Eggar, Rick Baker, Joe Blasco, Mark Irwin, Pierre David, and John Board.

Meet the Carveths (19:49) - a cleverly-titled 2013 piece that returns Art Hindle and Cindy Hinds to the school where the brood kidnapped Candy.  Emceed by Fangoria's former editor Chris Alexander, what is most interesting is hearing the mention of other roles that Ms. Hinds had, especially Deadline (1984), one of those video nasties that was released on several video labels; she later left acting.  I would have loved to have seen interviews with the members of the girls' gymnastics team that played the brood, and how they felt about some of the most violent parts of the film. 

Merv Griffin (20:50) - Oliver Reed appears on Merv Griffin's talk show along with Orson Welles and Charo of all people. 

Crimes of the Future (70:00) - this early Cronenberg feature from 1970, which has been available on the Criterion Collection's Dead Ringers laserdisc and Blue Underground's Fast Company DVD and Blu-ray, appears here in a much improved transfer.  It would have been nice to also see the inclusion of Mr. Cronenberg's Transfer (1966), From the Drain (1967), and Stereo (1969).  Hopefully, one day we will have all of his shorts and television work in one collection.    

Cronenberg: The Early Years (13:18) - this is a 2011 interview that the director did with Fangoria's former editor Chris Alexander wherein he discusses how he came to be a filmmaker thanks to the folks at Cinepix in Canada, specifically John Dunning and Andre Link. 

Radio Spot for The Brood - 30 seconds

Another great package from Criterion!

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Blu-ray Review: F/X 2
By

Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)       


Source:

Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)       

Apr 1, 2015, 4:0 PM


In this 1991 follow-up to 1986's immensely entertaining F/X, Rollie Tyler (Bryan Brown) is romancing Kim Brandon (Rachel Ticotin) and attempting to get in the good graces of her 11 year-old son Chris (Dominic Zamprogna) while being pleasant to her divorced husband Mike (Tom Mason) who is a cop.  While a movie is being filmed outside his front door, the crew recognizes him and begs him to work with them.  Rollie makes it loud and clear that he has no intention of getting back into the movie business.  Despite this, we know that something will pull him back in.  The ending of F/X had Rollie and Leo McCarthy (Brian Dennehy) having made off with the $15M of Nicholas DeFranco's mob money, but that event is not mentioned in this runner-up.  I am guessing that Rollie has set himself up nicely in his new Manhattan digs where he is a toy prototype creator and is experimenting with the beginnings of what will eventually become virtual reality as he has created a "telemetry suit" that he can wear that powers a full-size clown which mirrors all of Rollie's moves in sync with the suit.  The introduction of this device (both literal and cinematic) should inform all shrewd cineastes that the clown will figure into the action in some way and when he does, the results are fairly humorous. 

Rollie's girlfriend's ex is working on a case about a sex pervert which would benefit from Rollie's particular genius.  After some groveling, Rollie relents and decides to help.  Mike and his boss Ray Silak (Philip Bosco) set up a sting operation to catch a pervert who is harassing a young female model.  Rollie goes to work but things take a turn for the worse and Mike is killed by a hit man that Silak, conveniently, swears was never there.  Silak does not appear to be all that broken up over Mike's death, and Rollie soon learns that Silak is a skunk and involved in a whole lot more than he is letting on to.  He is now in deep doo-doo, and calls his old pal Leo for help.  Ironically, Leo appears nearly 45 minutes into the film, which is roughly the same point at which he appears in the original.  Along the way, the mob gets involved, as do some medallions by Michelangelo, the painter of the Sistine Chapel.     

There are the usual set pieces that one would expect from such a film (a grocery store shoot-up reminds me of Scott Spiegel's Intruder from 1989) and Rollie does his best to reverse his predicament with his magic bag of tricks, something he has kept on hand, probably in the off-chance he would need them.  If you compare F/X 2 to its predecessor, the original is clearly superior, though it is a far more gritty film whereas the sequel plays for fun.  It's good to see Rollie and Leo together again, though I miss Leo's mustache and his "I'm getting too old for this s--t" demeanor.  Not having seen the sequel before, I was thrilled to see the return of Velez (Jossie deGuzman), Leo's computer guru. 

As far as sequels go, F/X 2 gives us what we would expect.  Rollie finds himself in a similar bind as he did in the first film, and you would think that the once-bitten, twice shy mentality would have stuck, but if it had there would be no sequel! 

F/X 2 was made available on DVD by MGM/UA as a double feature with the original F/X about three years ago.  The new transfer on Blu-ray by Kino Lorber looks great.  I love this company as they just keep pumping out terrific neglected titles month after month.  The action in this PG-13-rated film is more tongue-in-cheek and playful this time around whereas it was serious business in the first R-rated outing.  There is a lot of levity in the dialogue, and it was probably decided in post-production to tone it down as several obvious F-bombs dropped by Bosco's character are ADRed (industry parlance for "looping dialogue") to be more "family friendly", though there is no mistaking what he's really say when closely examining his lip moves. 

F/X was written by Robert T. Megginson and Gregory Fleeman and directed by Robert Mandel.  The sequel was written by Bill Condon who also wrote Strange Behavior and Strange Invaders in the early 1980's, and it was directed by the late Richard Franklin who also did Road Games (1981), Psycho II (1983), Cloak and Dagger (1984), and Link (1986).  The acting this time around is a little uneven and occasionally feels like a made-for-TV movie, but the film is still worth seeing even though the action seems a little forced at times. 

In addition to the film, there is a making of featurette shot during the film's production that runs six and-a-half minutes in length (best to watch it after the film if you haven't seen it before), in addition to the theatrical trailers for F/X and F/X 2. 



 

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Blu-ray Review: THE BLACK WATERS OF ECHO'S POND
By
Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Source: Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Dec 7, 2013, 9:0 PM

Gabriel Bologna's The Black Waters of Echo's Pond comes across as a strange concoction.  For one thing, it doesn't seem able to make up its mind as to whether or not it is a straight out horror film or if it is meant to be played as a tongue-in-cheek, winking- at-the-audience type of movie.  My guess would be the former given the overall creepiness that the film admirably attempts to create, though not always successfully.  Like the new DVD and Blu-ray release of All the Boys Love Many Lane (2006), which also deals with a similar theme of male and female teens going off to a large manse with the hopeful promise of sex, the film was shot a good number of years ago, probably around 2007/2008.  To me, still the only recognizable performers are Robert Patrick, Danielle Harris, James Duval, Electra Avellan and Elise Avellan.  Black Waters starts off promisingly enough but tends to drag at times despite lasting the usual hour and-a-half.  It ends with a denouement that any seasoned horror film fan will see coming, but that is not to say that the film is a total loss as there is much to admire here, especially the fairly cool title and the even cooler old-style '70's-inspired movie poster.  

It starts with a prologue wherein a group of archeologists are excavating a dig in 1927 and this, like in William Friedkin's The Exorcist (1973), unleashes an evil spirit.  Flash forward 80 years to the same location whereupon a big house owned by Pete (Robert Patrick) is built right on the spot where the spirit was discovered.  Pete loans the house to family friend Anton (Arcadiy Golubovich) and his wife Erica (Elise Avellan).  The couple is joined by Anton's best friend Josh (Nick Mennell) and his girlfriend Renee (Electra Avellan) who also used to be Anton's girlfriend.  But, hey, everything's cool, right!  Um, no!  Not only will this situation prove to turn the cabin into a pressure cooker of accusations, festering resentment and nasty secrets, but the evil spirits brought forth by the board game that Anton finds in the basement will make them wish that they broke out Trivial Pursuit instead.    

Rick (James Duval) is a mutual friend who shows up uninvited and incurs frowns and mean looks from just about everyone, especially Kathy (Danielle Harris) who really has it in for him as she blames him for the drunk driving death of her brother.  As they play the board game, accusations and dares flip flop and eventually the board possesses the participants.  It becomes difficult at times to gauge if what we are seeing is real or a game within a game along the lines of David Cronenberg's eXistenZ (1999). 

The performances for the most part are quite good.  Electra Avellan and Elise Avellan give good dramatic turns, yet I still cannot tell the two of them apart - will one of these ladies get a tattoo somewhere noticeable, please?   Danielle Harris fans will love her here as she not only gives a good performance but she looks very sexy, too. 

There is also a strange half man, half beast creature running around...

The film's transfer on Blu-ray is a colorful affair.  The sound is also very strong and typifies what you would expect from a modern film.  There is an extended alternate beginning included as an extra, although I really would have liked a commentary with some of the behind-the-scenes folks to give us a rundown of the film's origin and its problematic history. 

Click here to order from Amazon.com. 

 


 

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Blu-ray Review: HALLOWEEN
By
Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Source: Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Dec 3, 2013, 1:0 PM

It seems like it would be an exercise in redundancy to recap the plot synopsis of John Carpenter's seminal 1978 film Halloween.  The film has been theatrically released, aired on cable and network television, and released in virtually every home video format in existence at one time or another. Its latest incarnation is in the form of a Blu-ray disc (for the second time in this format) which contains a brand-new commentary featuring both John Carpenter and Jamie Lee Curtis as they watched the film together. This is different from the original commentary which consisted of a feature length discussion culled from separate comments from John Carpenter, Jamie Lee Curtis and the late Debra Hill.  This appeared on both the Criterion Collection laserdisc in 1994 and the Anchor Bay DVD in 2003. 

This new Blu-ray features a stunning transfer supervised by cinematographer Dean Cundey and the film has never looked better; television and radio spots; the theatrical trailer; the additional twelve minutes of footage shot for the television airings in both 1981 and 1982 (it would have been nice if they had incorporated this footage into the film in an alternate version by way of seamless branching, but I suppose that would have been more expensive); the On Location: 25 Years Later featurette; and a new featurette cleverly called The Night She Came Home which runs nearly an hour and features a camera crew following Jamie Lee Curtis from Los Angeles to a Horror Hound Weekend convention in Indianapolis, Indiana, the one and only convention that she has done for this film. Unless you were actually at that show, you may not have the patience to sit through the featurette in its entirety.  However, these one-hour highlights give the viewer who may not have ever attended a horror film convention before an idea of what goes on, the type of people who frequent this sort of thing, and how genuinely nice Jamie Lee Curtis is towards her fans.

It also includes an 18-page essay with black and white on-set photos by photographer Kim Gottlieb-Walker depicting the shooting of the film.

Recommended for die-hard fans of this now classic film!



 

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DVD Review: SHIVER
By
Jonathan Stryker

Source: Jonathan Stryker (Facebook); Jonathan Stryker (Twitter)

Oct 13, 2013, 8:0 AM

The latest Danielle Harris film to hit DVD is SHIVER (2012), a creepy independent film shot on location in Portland, OR and in and around Los Angeles, CA, specifically at a faux Cadillac Jack's diner in Sunland, CA, which is actually a movie set with an adjacent Pink Motel set situated on 9457 San Fernando Road in Sun Valley, CA for use in films.  As the film opens, a schlubby middle-aged man named Franklin Rood, played off-kilter by Australian actor John Jarratt (he played the diabolical Mick Taylor in 2005's stomach-turning Wolf Creek and its forthcoming sequel), sits down nervously at the counter and feigns reading a menu. 

The waitress, Kathy (Nikita Sesco), is clearly half his age and he finds her impossibly desirable, fantasizing about frolicking with her and exploring her body.  When he asks her out to a movie, he is politely rebuffed and storms off like a child.  His adolescent-minded feelings are shattered, and he doles out a head bashing in the parking lot after she locks up the diner for the night, leaving her dead.  The murder itself is not graphic (for the most part it is off-screen), but the look on his face is truly disturbing.      

Twelve years later in Portland, Oregon, the city is on edge due to a serial killer (called The Gryphon) being on the loose. Wendy Alden (reliable scream queen Danielle Harris) is harassed by her mother (Valerie Harper) to ask her boss for a raise since she can no longer help support her daughter. 

Her friend Jeffrey (Shane Applegate) wants to be more than friends; when Jeffrey takes the Wendy out to dinner and offers that she stay with him that night, Wendy attempts to assure him that she will be fine.  If you're a genre fan, you will know right away that she is about to receive a visit by The Gryphon, aka Franklin, the loony from the pre-credits sequence.  When Franklin arrives in her home and surprises her, he reconsiders killing Wendy as she begins to behave in a way that he is not used.

She talks to him differently than the other young women he has killed up thus far and he notices this.  Franklin suffered bullying and humiliation during his childhood and this partially explains his killing streak towards women.  Through his own delusional mind, he convinces himself that he can make her love him.  In the meantime, the police are unable to adequately protect Wendy: two of the dumbest police officers I have ever seen in a movie are both killed by Franklin within seconds of each other, and I almost found myself applauding in his favor.  Casper Van Diem is the lead detective and Rae Dawn Chong portrays his partner, however the script does not give her much to do.  Wendy attempts unsuccessfully to escape Franklin's clutches even after he manages to extricate her from a police station under the guise of dressing as a fellow officer.    

The film is nowhere near as suspenseful as I would have liked, but the story kept me watching. The others films that I would compare this too would be recent horror outings such as CHOOSE (2010) and ATM (2012). SHIVER is a step above these films and keeps you focused until the final frame.  It does require a suspension of disbelief to succeed.  Mr. Jarratt has a unique ability to play unrepentant psychopaths, his turn as Mick Taylor in Greg McClean's aforementioned WOLF CREEK brought to life one of the most frightening and vicious psychos that the cinema has seen in quite some time.  Here he is also mean, but for different reasons.  In WOLF CREEK, he was bent on inflicting pain on others for his own pleasure.  Here, his Franklin is a broken, rejected and unhappy soul for reasons we don't know.  He is trying to trying to connect with someone and spirals out of control when he cannot.  Valerie Harper gives a good performance as Wendy's mother, although she only appears in two scenes.  Danielle Harris is also quite good and proves a great adversary for Franklin. 

The DVD itself is bare-bones and contains trailers for ABERRATION and THE LAST WILL AND TESTAMENT OF ROSALIND LEIGH.  It would have been nice to have had some extras, such as interviews and a commentary with the cast; Ms. Harris is always so fun and bubbly when talking about her career and the onscreen action.  Worth seeing for fans of Mr. Jarratt and Ms. Harris. 

CLICK HERE TO ORDER FROM AMAZON.COM.



 

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Blu-ray Review: THE BROOD

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Blu-ray Review: THE BLACK WATERS OF ECHO'S POND

Blu-ray Review: HALLOWEEN

DVD Review: SHIVER


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